Our friends the Cane Toads

As a rule of thumb I don't watch online videos over ten minutes and from four minutes onwards I am less and less likely to click play. I also am not a big fan of ad hoc debates where at least one of the parties has barely a clue, nor do I particularly like watching ambushes.

But this is a really good job. Some ladies in support of the feral US Nuns* were holding a protest outside the Cathedral Church of St Augustine in Kalamazoo, Michigan. One of them has two theology degrees and 16 years teaching experience (only some of it?) at collegiate level. With a video camera running (held by a friend of hers) she begins a discussion with the Parochial Vicar. It lasts 18 minutes.

He doesn't make mincemeat of her. He's too gentle. But it is quite a show. I found it at What Does the Prayer Really Say? so in case the video after the break dies you may find a replacement from links there.

*So far as I know this is an Australianism. You know what feral animals are like, good things gone wild in a new environment?  - a great metaphor for whacky sisters.

Charles Cole

I was at school with Charles Cole, who was in my older brother's year.

NLM on Cathedral Liturgy

When I lived in London I used to visit Westminster Cathedral regularly.  One afternoon I heard Gregorian chant coming over the speakers. It was not piped music but actual live singing of the Divine Office. A friend of mine who knows these things remarked that (a) all Cathedrals are supposed to have public recitation of the Divine Office and (b) Westminster is pretty much the only Cathedral in the world that does. When in Rome I have attended Vespers at the Basilica of the the Holy Cross in Jerusalem* and again at the Basilica of the Floating Ceiling. In the former case it might only have been happening because I turned up on the Feast of the Triumph of the Holy Cross. The point is that my friend is pretty much right.
*(Despite the name this church is in Rome.)


Anyway the New Liturgical Movement blog has an essay on the subject.

I have said this several times in the past, but most American cathedrals are essentially overgrown parish churches, and this paradigm has so ensconced itself in our liturgical consciousness that many bishops see their cathedrals as model parish churches for their diocese.

It's one of those rules nobody keeps.

(I am pretty sure New Liturgical Movement can be translated by something better than Novus Liturgicus Motus).

Mankowski: Silk Purses & Sow's Ears

(I am sure the apostrophe in the title is misplaced)

Arguing with inclusive language loonies, the best I could come up with is that they never seem to worry about the gender of Satan, all his works and all his empty promises. For a better essay see "Silk Purses & Sows' Ears: 'Inclusive Language' Comes to Mass" from Women for Faith and Family viii.4 & ix.1, by Fr Paul Mankowski sj.

This is one of those essays when you want to keep cutting and pasting (funny that, considering the first paragraph). But here is a line of argument that had not already occurred to me:

ABC bias on euthanasia

A while ago somebody sent me a post on the MercatorNet blog, Careful! - a blog on euthanasia. It contained a video interview with Bishop Anthony Fisher op. The blog describes him as being "interviewed by a right-to-die activist." I suppose the post writer simply went by the content of the questions and drew the obvious conclusion. The interviewer, Quentin Dempster, is a journalist with the ABC and presumably has pretensions to neutrality. This was not extra-curricular activity. The interview was part of regular ABC programming. 

Bishop Fisher does a very good job dealing with the questions. Dempster is someone who describes obedience to the Fifth Commandment as hardline but as the folk at Careful! say, Bishop Fisher hits the questions right out of the park (in Australia, since you ask, we would say "hits them for six").

Tui sunt caeli, et tua est terra

Doubtless you have often wondered how we know the size of the universe. Never fear, the Royal Observatory at Greenwich can tell you.

Coin operated TV

I'd always keep a jar of coins next to the Foxtel IQ. This article describes the very beginning of cable TV

"Pay TV is Here", Michael M. Mooney, National Review, 5th June 1962.

Two very different Pay-TV systems are now on the horizon: the Zenith-RKO ("Phonevision") system which starts its three-year Hartford test this month — also called the "over-the-air" system; and Paramount Pictures' "Telemeter" system, which has been running in Etobicoke, Canada since February 1960 and is scheduled to open next in Little Rock, New York, and San Francisco — the so-called "wire system."

In the "over-the-air" Zenith-RICO system, a subscription decoder (a box about 8 by 10 by 4 inches) is wired in and sits atop the set. The subscriber pays an initial installation charge of about ten dollars. Prices for an evening's programs will vary between 25¢ and $1.50; the price may include "double features," or a feature and a short, etc.

Subscribers receive advance notice of subscription programs, by direct mail, or through newspaper ads that give program details, hour and date, and a special three-digit code number for each subscription program, and the price for tuning in. When he has decided on his program, the subscriber turns on his decoder and rotates a dial until the proper code combination appears in a small window in the front of the decoder. Picture and sound then come through loud and clear.

When subscription programs are not on, Channel 18 in Hartford will send out conventional commercial programs, sponsored or sustaining. At any time, even when subscription programs are on, the viewer may switch his set to conventional commercial programs, then back to the subscription program at will, without additional charges. In effect, therefore, the Pay programs are "added attractions" on the TV set for which the consumer must pay if he wants them. There are conventional commercial stations in Hartford to compete with the new Pay TV station.

Initial installations of the decoders at Hartford are to be of the “credit” type. The decoder makes an electronic record each time it is tuned to a subscription program. At monthly intervals the subscriber removes the billing tape from the decoder and forwards his payment for the programs he saw.